![]() When you play it, play a G chord but use the note B as your root. It's called a compound chord when you use the notes from one chord with a different root note and it's written like a fraction. But since there aren't a lot of top worship songs in flamenco, we'll show you how worship writers side step this little monster. ![]() The tension in this chord can be used to great effect in styles that thrive on tension and release, like jazz and flamenco. It's a pretty nasty sounding little chord that most songwriters avoid like the plague and/or bill collectors. The natural chord that occurs at the seventh degree is a minor chord with a flat fifth. Okay, the 7 chord is a mystery to most, but we're going to take this fun little H2 header to explain it, and we might even throw in one of the top worship songs, which includes the seven chord so that you get some use out of this knowledge. To stay in the key of C, we'll use the D minor chord, which is referred to as the 2 minor, the 3 minor chord is E minor. ![]() When you make chords out of them, the C is the 1 chord. We'll take C major as an example, as it is one of the most popular keys in worship and it's the original key of several of the songs we'll look at today. ![]() Basically, you take a major scale and assign a number to each note in the scale. ![]()
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